What looks like the world In the eyes of a boy who became the subject family strife? The child is experiencing loneliness, pain, and sometimes a feeling of guilt. All this lies with a heavy stone on his soul and does not leave without a trace. Such was the childhood director, actor and scenario Pavel Sanaev. In his first artistic work, he left about the experiences experience. "Bury me behind the plinth" - these are not memoirs or memories, but an attempt to forgive close people for the pain that they hurt him from love and weakness, egoism and dedication.
Prehistory.
Pavel Sanaev is a successor of the acting dynasty. In the sixth grade, he performed one of the main roles in the film of his stepfather of Rolan Bykov "Stuffed". The film was devoted to the difficult relationship among adolescents. In this picture, Paul's mother played the role of a school teacher. For a beginner actor, participating in the filming of the film Rolan Bykov has become not only the beginning of the creative path, but also familiarizing with the surrounding social world. Until the first appearance on the shooting area, Paul experienced a sharp deal that the boy was fenced not only from communicating with peers, but even from the necessary maternal love.
How the book appeared
In high school classes, Paul began to create some literary outline. He written he supplemented, corrected, and only eight years later, a full-fledged artwork was ready, which was called "Bury me for the plinth."
The book reviews were both positive and negative. Some believed that the story of Sanaeva was an entertaining work, not devoid of black humor. Others saw in colorful and very unpleasant images, the desire of the author to take revenge on his relatives for causing insults. Third all the heart spied the boy, who was in such unbearable conditions.
Despite the fact that the books are depicted by the parents of Elena Sanaeva, that is, the native grandmother and grandfather of the author of the sensational book should be remembered that not a documentary, and the artwork is a story "Burry me for the plinth." Reviews of the book, as about the desire of the writer, believing their relatives, can hardly be called objective. The names of loved ones writer changed. The main character is Sasha Savelyev. Mother - Olga. The stepfather is not at all. Grandma and grandfather call it not as otherwise as a dwarf-blood.
Image of grandmother
Sanaev wrote a book, the material for which he served his own experience. The image of the main character - an eccentric and unbalanced grandmother - taken from life, but supplemented with elements of artistic fiction. This woman terrorizes the eight-year-old Sasha with his love and limitless care, and he finally comes to the conclusion that he will soon overtake death, and therefore he is in his mind the thought that it is necessary to leave a small, but clear will, in which the only requirement will "bury I'm behind the plinth. "
Reviews about the book that grandson wrote, Vsevolod and Lydia Sanayev did not leave, because they went away before it was published. The artwork ends with the death of grandmother. In real life, Lydia Sanaeva died a few years before edition of her grandson's book. The author himself once admitted that he would never have been able to publish his story with her life.
Lydia Sanaeva
The story begins with the head of "bathing". The reader from the first line understands that the book is devoted by no means good and affectionate grandmother. Although she care for her grandson does not deprive at all. Throughout the story, the grandmother suggests his grandchildly a lot of troubles, wants to "chain in prison" and predicts ambulance painful death. Curse and curse woman pronounces without breaking away from the fulfillment of his debt. She prepares sashe dietary breakfast, suits him complex bathing procedures, pinking tablets. In general, it does everything so that the boy leaves life is not so early, no matter how she wanted ...
And in the book, and in an interview, the author of the story claims that in it he outlined not the whole truth about his early years. Grandma in reality chose the expressions much more tough. But it makes no sense to provide such unsightly details. After all, the book is not about madness, but about love that kills, cripples, inflicts an indelible spiritual wound.
Grandmother daily reminds the grandchild about that it is very little left to live. Although madly loved him. Regular conversations about diseases and death can not affect the perception of the surrounding world. Sasha, despite his young age, began to think about death as something quite ordinary. And, of course, he does not occur to him that the behavior of a close man in his life is somewhat different from the standard, inherent in a mentally healthy person.
Criticism
At the end of the nineties, Pavel Sanaev managed to publish his work in one of the literary journals. Only in 2003 in a separate edition appeared a story "Burry me for the plinth." Reviews of the book were diverse. In children's memories there are humor and sadness. They may like, and capable of annoying. But the fact that the book was created by a talented person, can hardly be doubted.
Film
In 2009, the story "Burry me for the plinth" was launched. Reviews of the film Sanaev left extremely negative. I didn't like the film to the author of the iconic book, first of all, because the actress, who played the main female role, did not cope with the task. In this, undoubtedly, the director's wines. Svetlana Kryuchkova - Outstanding Soviet and russian actress - played grandmother on one note. Every person who read the work could not not recognize that screen image It has little in common with literary. The actress itself was interviewed that many important episodes were cut out at the insistence of the film producer.
On the role of Lydia Sanaeva initially planned to take her daughter. But after the author of the story and the script refused to work, everything changed. The main role was invited to another actress. Subsequently, Elena Sanaeva acknowledged that she would be unbearably hard to play his own mother.
Vsevolod Sanaev
Grandfather Sasha Savelyeva - a man is soft and in all inferior to his wife. His prototype is Vsevolod Sanaev - the Soviet actor, known on the films "For us Moscow", "Return of St. Luke", "Forgotten Melody for Flute" and others.
Mother Sasha's father plays an important role in the story "Burry me for the plinth." Reviews of the film Pavel Sanaeva are somewhat different from the opinions of the audience and film critics relative to the book of the same name. The one who read the autobiographical story of Sanaeva, as a rule, disapprovingly perceives the picture of Sergey Sunkin. But grandfather the main thing in the film film played outstanding Alexey Petrenko. And the image that he created on the screen is perhaps not inferior to the literary.
It is with the help of this character that the writer was able to show the scope of the Samodogo and the madness of the grandmother. Most of the work is devoted to the image of the relationship and life in the house in which Sasha lives. And if the explosions of aggression and inadequate behavior Grandmothers boy can not impede from his age, then her husband is theoretically capable of it. But he is increasingly crushing, looks in front of her, does all its demands fully. And only once, he explodes, leaves home. In order to return a few hours again. He is not able to overcome home tyranny. This lacks strength and perseverance and the mother of the main character.
While reading a story, grandmother, despite all his oddities, causes pity. The tragedy lies not only in mental disorder, but also in the indifference of the husband, who in young years did not pay due attention to his wife. She struggled for the life of the first child alone. But the boy died, and after a few years Olga appeared on the world - the mother of Sasha - the girl is painful and stubborn. Father was increasingly absent on tour, in creative business trips. He did not notice how his wife turned into an elderly hysterious woman.
Elena Sanaeva
This actress is a prototype of Olga - Mother Sasha. The children of the Soviet period primarily remember on the role of Foxa Alice in the film, in which she played a fabulous role in a duet with her husband.
The image of Olga is depicted using the internal workers of the boy in the story "Burry me for the plinth." Book, reviews critics about which is often devoted to the beautiful art style The author today was not adequately decorated.
In the film directed by Sergey Snezhkin, Sasha's mother for incomprehensible reasons more reminds a depressive weak lady, which instead of fighting his son, cognac with his beloved. After which the couple rushes into the dance. Trust is much more causes the heroine Svetlana Kryuchkov. Even despite her hysterical screams and peculiar curses. She shows, although quite peculiar, care for the boy.
What thinks about the film Pavel Sanaev himself? "Burry me behind the plinth", the reviews about which are found extremely enthusiastic, was criticized by the author of the story. Initially it was assumed that the director of the film will be Sanayev himself. But at the last moment the author of the work refused, because it was not sure that he could pay for the creation of a picture as much as was spent on writing a book. Producers had to look for another director. They became Sergey Snezhkin, whose opinion was dispersed with the position of the author's scenario not only about the acting composition. Sunkin changed significantly and the plot.
Wonderful actors are involved in the Sanaeva script film. But even their talented game could not save the picture, which the author named Chernuha. In the film there are naturalistic details, which, according to critics, extra. And most importantly, the main idea of \u200b\u200bPavel Sanaeva is not observed. The image of the grandmother in the film is too unambiguous.
What do you think about the adaptation of the work of Sanaev performers in chief roles in Kinolent "Bury me for the plinth"? Reviews of the film Actors are diverse. The executor of the leading role argues that its image was significantly changed as a result of editing. Sasha's mother who did not share their impressions from filming the film. However, most viewers believe that the choice of director in favor of this actress was not the most successful.
Dwarf-bloodsman
This character is almost not present in the book, but is still central. It is because of the dwarf-blood-blooded mother threw her son. And precisely because of him, the sick old woman is forced to catch a painful "rotting" boy. At least in this with early years The grandson of grandmother-tyrant is convinced. But Sasha once had already seen this terrible dwarf, and did not find anything repulsive in it.
His stepwise, the director and the actor dedicated Pavel Sanaev Tale "Burry me for the plinth." Critics about this work sometimes, perhaps, were not favorable. There was no man from the celebrity family to endure sorrows from the hut. But the image of the stepfather, which was subsequently not terrible, the author portrayed with deep respect and love. Wise, talented and understanding, described him by Sanaev in his first story. The same writer depicted his stepfather in the artistic work of the misadventures. The book "Burry me for the plinth - 2", the reviews about which were not so violent, still took a worthy place in modern literature.
I looked "Burrying me for the plinth."
Surreal film, emitting concentrated malice and hatred.
I absolutely shook the final movie: Little Judas over the grave of grandmother whispers his mother such that mother is chainetting, realizing that the monster has grown
...
The story is written by the grandson of Vsevolod Sanaev, the functionar from the Soviet cinema.
He lived with his wife 50 years. Her name was Lydia Goncharenko, in the marriage of Sanaeva, and she was once a student-philologist brought to Moscow from Kiev tours to the Second World War.
Sanaeva's wife with daughter Elena, born with them during the war.
Sanaev did not fought, lived in evacuation. 
Helena Sanaeva was born the son Paul.
He is very similar to the mother. Lower lip - block, and this is an important sign)) 
Red fleshy mouth with a special protruding curved bottom lip 
Lower lip lives his life 
Physiognomy
Determine the character of a person to his face
I will try to analyze the character of Pavel Sanaeva on his face to explain how such a "autobiographical" a book could write a person who lived with his grandfather and grandmother from 4 to 11 years.
If he lived in a normal, traditional family, with mother and father, he would certainly be expressed in the same literature))
Cold heart (eyelids)
Pessimism (eyelids)
Lower lip stands over the top - selfishness
If one point of the mouth is above another - a tendency to deception.
Constantly twitching mouth - nervousness and excitation.
The mouth, beveled in one direction - nervousness, tendency to sarcamum.
Rotally decorated mouth, with corners, bending to the bottom - a rapid character.
From the previously read I remember that a person in a fatty fastened protruding lower lip is always unhappy, it criticizes everything, this is a heavy selfish pessimist.
Guba Pavel Sanaeva, inherited from the mother, explains everything. Including the "autobiographical" book.
Man's face - as an open book. It says everything - eyebrows, eyes, mouth, every wrinkle. With the age of the face, they change, but the most important features remain unchanged, and some begin to manifest themselves more clearly. It is believed that physiognomy is the most ancient science in the world and originated in China. Chinese physiognomists say that even his fate can be read by person.
Vsevolod Vasilyevich Sanaev. Born 12 (25) February 1912 in Tula - died on January 27, 1996 in Moscow. Soviet I. russian actor Theater and cinema, teacher. People's Artist of the USSR (1969).
Vsevolod Sanaev was born 12 (25 in a new style) February 1912 in Tula.
His father was a hereditary master of harmony.
Sister Lyudmila (Shemyakina) Sanaeva, lived in Karelia (in the city of Segezha).
In 1926-1930, he worked as a harmony collector at the Tula harmonious factory.
In 1930-1931, the artist of the auxiliary composition of the Tula Theater with a cartridge factory.
In 1931-1932, the actor of the Tula Theater of the Drama named after M. Gorky.
After the end of Hitis in 1937, Sanaev began working in Mkate. However, the work in the theater was a bit, and the Coriferation of the theater reluctantly shared roles. As a result, in 1942, Vsevolod Sanaev decided to leave the troupe.
Vsevolod Sanaev explained to his outflow from the theater: "Leave Mkhat, friends, the scene is, of course, it is not easy. But in each person there should be consciousness - maybe it is called a vocation - that in some particular area of \u200b\u200blife it is necessary."
Since 1943 - Artist of the Mossovet's Academic Theater.
From 1946 to 1994 - the actor of the Camera Actorera Theater Studio.
In 1952-1956 he played Mkate. During this period, a wife fell ill in the life of the actor, and the young actor had to quit the theater and filming the cinema to feed the family. Sorrow added the treacherous attitude of the former colleagues. In particular, the actor Sergey Lukyanov asked quite seriously: "Why do you need a sick wife, do not throw the theater, and throw it."
In the movie his business was better. Debuted in 1934, in the episode of the picture " Private life Peter Vinogradova. "
In 1938, he starred in the famous Soviet film "Volga, Volga" - playing two small roles: bearded lumberjack and a failing musician. The first major work was the role of Worker Dobrichakov in the painting "Favorite Girl" (1940).
Vsevolod Sanaev in the film "Volga, Volga"
In 1949-1950 - Teacher Vgika. Member of the CPSU since 1955.
Among the noticeable roles of Vsevolod Sanaeva - director of MTS Cantaurov in the "Return of Vasily Bortnikov" (1952), Donets in the "First Eshelon" (1955), Starin Kozlov in "Five Days, five nights" (1960), a sypal in the "optimistic tragedy" ( 1962), Colonel Lukin in the Svyopopea "Liberation" (1968).
His acting works in films set, - Yermolai Voevodin in "Your Son and Brother" (1965), Matvey Ryazantsev in "Strange People" (1969) and Stepan Fedorovich in "Stoves-benches" (1972).
Very appreciated his work with Vasily Shukshin.
"I am happy that I worked with Makarych. Doubted: a young director, removes everything the second big film - that he knows what can teach. When I started shooting, he looked at my hands - feared, it can be seen that I would not come out. Then I I remember, he said: the main thing in man - the eyes, and his hands ... "Well, I will make them restless, we are not accustomed to being without a business," Makarych answered, just a little thought, on the same time ... only nearby With this director, I understood how to live - and not only in art. Many are inlets about the truth in our cinema business - what it reveals, and what is on the screen, but Schukshina has a special one and there, and here ... " , - said Vsevolod Sanaev.
At the funeral of Vasily Shukshina in the series of official speeches spoke a lot of things and different. Then Vsevolod Sanaev came to the microphone. He was silent for a long time and, finally, with difficulty spoke only three words: "Brothers, grief, what!". And I cried, without hiding tears.
A great success was the role of Colonel Zorin, played by him in the detective trilogy about the militia - "The Return of St. Luke" (1970), "Black Prince" (1973) and the "version of Colonel Zorina" (1978).
Vsevolod Sanaev in the film "Stoves-shop"
Vsevolod Sanaev in the film "Liberation"
Of the latest filmmakes of Vsevolod Sanaeva, it is worth noting the "White Dew" melodrama (1983) and the role of the head in the ministry from the picture "Forgotten Melody for Flute" (1988). While Sanaev was a convinced communist, he has long been elected by the secretary of the Mosfilm partner.
For his life, Vsevolod Sanaev starred more than seventy paintings.
IN last years The actor complained that he did not give him to sing into the movies and play a comedy role. When Vsevolod Sanaev asked, who would be, if he was not an actor, he answered: "I would be a wonderful harmonious business master."
In 1966-1986 - Secretary of the Union of Cinematographers of the USSR.
Vsevolod Vasilyevich Sanaev died on January 27, 1996. He was buried in Moscow at the Novodevichy Cemetery (section No. 10).
Vsevolod Sanaev (documentary)
Personal life of Vsevolod Sanaeva:
Wife - Lydia Antonovna Sanaeva (1918-1995). They had a son of Alexey, who died at the age of 2, sick during the war chere and diphtherite.
Daughter -, actress, actor widow and film director. Before that was married to Vladimir Konzin, engineer.
Grandson Pavel Sanaev is a Russian actor, screenwriter and director.
The grandson of the actor Pavel Sanaev wrote the book "Bury me for Plinth", which described the relationship in the family of Vsevolod Sanaeva - on the memories of the grandmother, who has lived for several years when his mother began his relationship with Rolan Bykov.
The story "Burry me for the plinth" was decorated in 2009.
Vsevolod Sanaeva filmography:
1934 - Private Life of Peter Vinogradova - Red Flothane (no in the credits)
1938 - Volga, Volga - Lesorb
1938 - If tomorrow is a war - competent fighter
1939 - Girl with character - Lieutenant Militia Surkov
1939 - The weth of the commanders - Colonel Grishaev (not in the credits)
1940 - Favorite Girl - Vasily Dobryakov
1941 - the first equestrian - kulik (no in the credits)
1941 - First Print Ivan Fedorov - Peter Timofeev
1941 - Four Hearts - Eremeys, Red Army
1944 - Ivan Nikulin - Russian Sailor - Alya
1946 - In the mountains of Yugoslavia - Alexey Gubanov, Red Armenian
1947 - Diamonds - Sergey Nesterov, Geologist
1948 - Young Guard - Communist-underground (no in credits)
1948 - Pages of Life - Radioctor (No in Titres)
1949 - the fall of Berlin - Orator (no in the credits)
1949 - They have a homeland - Vsevolod Vasilyevich Sorokin
1951 - in the steppe (k / m) - Tuskikov, secretary of the district
1951 - Zhukovsky - student (no in credits)
1951 - Unforgettable 1919 - Boris Viktorovich Savinkov (no in credits)
1951 - Przhevalsky - Archpriests (no in credits)
1951 - Rural doctor - Nikolai Petrovich Korotkov
1951 - Taras Shevchenko - Episode
1953 - lawlessness (k / m) - Yermolai, janitor
1953 - Vortex hostile - episode (no in credits)
1953 - Return of Vasily Bortnikova - Cantaurov, Director of MTS
1954 - Pretty Friends - Visitor Non-Flakes (no in credits)
1955 - First Echelon - Alexey Egorovich Dontsov, Director of the Association
1956 - Polyshko-Field - Nikolai Fedorovich Holin, director of MTS
1956 - Different destinies - Vladimir Sergeevich Zhukov, Patorg Central Committee
1957 - Swallow - Melgunov
1957 - Stories about Lenin - Nikolay Aleksandrovich Emelyanov
1957 - Pages of the Path - Skvortsov
1958 - on the roads of war - Ivan Fedorovich Uvarov
1958 - Another flight - episode (no in the credits)
1959 - Soldier Ballad - Episode
1959 - in steppe silence - winds
1959 - Unpaid duty - Alexey Okunikov
1959 - Song about Koltsov - Father Koltsova
1959 - also people (k / m) - an elderly soldier
1960 - Five days, five nights - elder Efim Kozlov
1960 - Risen three times - Ivan Aleksandrovich Starodub
1961 - On the way (k / m) - an old man
1961 - Adult Children - Vasily Vasilyevich
1963 - Meeting on the crossing (k / m) - Chairman of the collective farm
1963 - Optimistic tragedy - Sipl
1963 - It happened in the police - Major Sazonov
1964 - Big Ruda - Matsuev
1964 - Green Okonok - Pensioner
1965 - Your Son and Brother - Yermolai Voevodin
1965 - First Freedom Day - Colonel Davydov
1965 - Roll - Varentsov
1966 - in Western - Kovach
1967 - For us Moscow - General Panfilov
1967 - boredom for the sake of Timofey Petrovich Gomozov
1968 - Liberation - Colonel Lukin
1968 - Shooting sleeves (k / m) - Father
1969 - Chief Witness - Duch
1969 - Strange people - Matvey Ryazantsev
1969 - I am his bride - Anton Grigorievich Mitrochin
1970 - Return "Holy Luke" - Colonel Zorin
1970 - Kremlin Quararti - Old Worker
1970 - Stolen Train - General Ivan Vasilyevich
1971 - No day without adventure - Grandfather Danilyuk
1971 - Nürkin Life - Boris Gavrilovich
1972 - Elamey (GDR) - Kun, Pilot
1972 - Stoves-shop - Sergey Fedorovich Stepanov, Professor
1973 - Our house - Alexander Evgenievich Pludzh
1973 - Black Prince - Colonel Zorin
1975 - there, beyond the horizon - Vikenty Kirillovich
1976 - Moscow - Nazar Lukich Grigorenko
1976 - Well, the public! (Telesplex) - Ober-Conductor
1976 - ... And other officials - Oleg Maksimovich Astakhov
1978 - Close Dal - Andrei Zakharovich Pogodin
1978 - Month long days (Telesplex) - Pavel Stepanovich Kashin
1978 - The version of Colonel Zorina - Colonel Zorin
1978 - My love, my sadness - Farhada Father
1980 - Uninvited Friend - Vladimir Abdullaevich Shleplayov
1980 - Tehran-43 - Incperer, Master Zucchini
1981 - from winter to winter - Pavel Mikhailovich, Minister
1981 - From the evening to noon - Andrei Zharkov, writer
1982 - Nadezhda and Support - Kirill Lvovich Rotov
1982 - Private Life - Episode
1983 - White dews - Fedos Madas
1983 - Mystery of "Black Drozdov" - Mr. George Fortescia
1984 - Dead Souls - Ivan Grigorievich, Chairman of the Court of Chamber
1986 - In Roshitz - Street
1986 - First Guy - Ivan Ivanovich
1987 - Appeal - Ivan Stepanovich Mironov
1987 - Forgotten Melody for Flute - Yaroslav Stepanovich
1993 - Tragedy of the century - Lukin
1995 - Shirley Merley - Meloman
Many considered the famous director, many considered an incorrected slate - and he was a monochombus. Bykov believed that the meeting with Sanaeva was sent to him over.
Elena Sanaeva and Rolan Bykov. Source: Globallookpress.com.
October 21, actress Elena Sanaeva marks 76 years old. For many years, the center of her life was the famous husband, director Rolan Bykov. And after his death, she herself began to remove the cinema - to finish his spouse.
Love at first sight
Elena Sanaeva in youth. Source: Globallookpress.com. The director of the famous "Aibolita-66" and was not a handsome man, but the success of the opposite sex did not interfere. Low, with peculiar appearance and bad diction, he possessed incredible charm and charisma. The first wife of Bykov became the actress of the Tyusa Lidia Knyazev, with which he lived for about ten years, until the mid-60s. After his divorce, many women dreamed of becoming mistresses in his house, as the bulls told him, he was repeatedly tried to marry him, and a couple of times he was even ready to "surrender." But every time something stopped. Romanov was a lot, Rolan Antonovich even began to feel an incorrigible womanist - but everything changed a meeting with Elena Sanaeva.
more on the topic
"You are my beauty." How the role of Baba Yaga helped Inna Churikova get marriedInnoun Churikov, many consider one of the main "ugly beauties" of domestic cinema. "Is this a kid or a girl?" Many asked after the release of the film "There is no Fraud".Before the meeting with a bull actress has already managed to be married. For the first time, she went to the registry office shortly after the end of the guitis, in 1967, four years later, the Son was born, and in two years they divorced. As the actress itself remembered, they and her husband, Vladimir Konzin, were simply different people. After the divorce, Elena had serious relationships with a man much younger than her, but then the case was intervened.
With 43-year-old Rolan Bykov, 29-year-old actress met on the filming of the film "Docker", in which, according to the scenario, they were her husband and his wife. Sanaeva was involved in another picture and the beginning of filming was late. Bykov demanded the replacement of the actress, Maya Bulgakov had already flew to the shooting platform. Helena's father famous actor Vsevolod Sanaev, national artist The USSR, then I tried to dissuade the daughter from the idea that had arisen my ideas still arrive at the shooting and "at least see" to everyone.
She not only declared a shot, but also came out in the first scene. Kiss with a bull, who was not in the original scenario, but at which Suddenly insisted Roland Antonovich, both of them remembered for life. He began to talk about love immediately after acquaintance - as Sanaeva recalled, such passionate and hot confessions, she never heard from one man. The proposal of the hands and hearts Rolan Antonovich did a year later, on the filming of the film "Car, Violin and a Dog of a Klyax", where Sanaeva came to visit him. When they had dinner in a restaurant with colleagues, he sank to his knee and asked Elena to become his wife.
"God has invented you ..."
Elena Sanaeva and Rolan Bulls on the set. Source: Globallookpress.com. more on the topic
Soon, the bulls and Sanaeva began to live together, although they only signed in ten years. Elena looked much younger than his age. Bykov, who, on the contrary, looked older than his years, was very removed when unfamiliar people called the actress by his daughter. For the sake of him, she changed her hair to look like an adult, went against the parents - it was far from the only victims from the actress, but she never regretted anything. Ex-wife Rolan Bykov told her parents about the lovingness of the ex-spouse and bags of letters from fans. Sanayev were against these relationships, but the feelings were stronger than their admonitions. And then the power of this love forced them to change their opinion regarding the director, the truth was required for this.
Bykov recognized that at the time of their meeting no longer believed that he could love. "God has invented you and sent me," he said to his wife. The film that joined their fate and the actor could not endure, the role in the "Dokme" called almost the only one, which was ashamed, but what did it matter when thanks her fate gave him main woman In his life!
At first, the spouses lived with Mom Rolan Antonovich. The son of Elena Vsevolodovna remained with her parents: that he would be better with them, the actress persistently convinced mother-in-law and mother-in-law, and, especially, mom, a powerful woman who loved the grandson of selfless, tyrannoe love.
Rolan bulls. Source: Globallookpress.com. Elena Sanaeva was between two lights. On the one hand, the mother-in-law jerful to her son, on the other - his own mother Lidia Antonovna, who suffered from the fact that she did not succeed to protect her daughter from a man who could break her life and applied every effort to protect her grandson. This dramatic history of Pavel Sanaev was then described in his book, on which the film was subsequently filmed. He recalled that Lydia Antonovna loved his loved ones with such "tyrannoe fury" that her love "turned into weapons of mass lesion."
Without a son, Elena Sanaeva suffered terribly, seeing to him constantly - they lived nearby, but all attempts to change the situation turned out to be unsuccessful. Up to 11 years old Paul remained with his grandparents. When he finally began to live with her mother and her new husband, the first time the boy was tuned (not without the efforts of Lydia Antonovna) against Bykov. But gradually their relationship has become established. The famous director had a huge sense of responsibility for loved ones - and he felt responsible for Paul, as for his own child. Over time, the Rolan Bykov relations and the relationship of Rolan Bykov, from the mother-in-law, Lydia Sanaeva finally realized that her daughter loves her daughter and grandson, and took it.
Pavel Sanaev with his wife. Vsevolod Sanaev met with his future wife Lida Goncharenko, being a professional artist. It happened in Kiev, where Vsevolod came to tour along with other members of theatrical troupe. In the beauty of Lida, it was difficult not to fall in love, but the Sanaev was not a mistake. Young people began to meet. It is noteworthy that the parents of the girl itself were categorically against this marriage and asked the daughter not to make reckless actions. But Lida did not listen to anyone and left the actor in distant Moscow.
At first everything went wonderfully. Lovers officially registered their relations, and soon the firstborn, whom Alexei called Alexei appeared. And then the war began. But the Soviet actors continued to tour, supporting the ideas of frightened civilians of the country and the spirit of her fighters. It was during such a trip to Sanaeva Lydia with a child sent to evacuation to Kazakhstan. There, 2-bit Alexey picked up an infection and died. Vsevolod and Lydia did not immediately communicate, so a terrible loss sole son And his funeral The young woman survived in complete loneliness. This tragedy will then become one of the reasons for further behavior of Sanaeva, its echo.
