The name of the writer whose mother Tatyana Larina loved. The Larins are a family: a mother and her daughters. Lifelong love

Drawing in his novel the image of a simple Russian girl, not very beautiful, with a common name, the poet, both in characterizing her mental makeup and in depicting her behavior, does not at all embellish or idealize her. Tatyana grows up in a family as a lonely girl who does not like to play with her friends; for the most part she is immersed in herself, in her experiences:

She is in her own family

The girl seemed like a stranger.

She used to judge people and life by the novels she read:

She liked novels early on;

They replaced everything for her.

In them she looked for correspondence to her experiences and therefore:

She fell in love with deceptions

Both Richardson and Russo.

Tatyana thus created in her imagination the image of a lover, unlike others, mysterious. This is exactly how Onegin appeared in her eyes.

Tatyana is close to Russian nature:

She loved on the balcony

Warn the dawn,

When on a pale sky

The round dance of the stars disappears.

The attitude towards nature helps to further reveal the character of the heroine. She is naturally gifted:

With a rebellious imagination,

Alive in mind and will,

And wayward head,

And with a fiery and tender heart.

This makes her stand out among the landowners and secular society. Tatyana dreamed of a person who would bring meaning and high content into her life, but love brought Tatyana only disappointment and suffering. Being a “legislator of the hall” in St. Petersburg, she retained her spontaneity and sincerity. So, she declares to Onegin:

Now I'm glad to give

All this rags of a masquerade,

All this shine, and noise, and fumes

For a shelf of books, for a wild garden,

For our poor home.

Tatyana's spiritual qualities are revealed even deeper in the scene of her last meeting with Onegin: loyalty to duty prevails over her feelings:

I got married. You must,

I ask you to leave me;

I know: in your heart there is

And pride, and direct honor.

I love you (why lie?),

But I was given to another;

I will be faithful to him forever.

The images of Olga and Tatyana Larina’s mother are also typical. The author's attitude towards them is ambivalent. On the one hand, the Larin family, where the mother played the main role, is hospitable, simple, hospitable, cordial, on the other hand, mother Larina is a serf-owner who “discovered the secret of how to autocratically rule a spouse,” and Olga quickly forgets the murdered Lensky, having married passing lancer.

Tatyana's mother went through the typical path of a girl of her time: from a society girl to the wife of a village landowner. She was married off “without asking her advice.” She “was torn and cried at first,” then “she took up housekeeping,” she got used to it and “became content”:

Habit assuaged grief.

She led the life of a typical Russian lady:

Shaved foreheads

I went to the bathhouse on Saturdays,

She beat the maids in anger -

All this without asking my husband.

But at the same time, she is the keeper of the “habits of dear old times”, so dear to the author:

At their Shrovetide

There were Russian pancakes;

They fasted twice a year.

Also, with a certain amount of irony, the image of Olga is drawn. Pushkin draws a portrait of a beauty:

Always cheerful like the morning,

How a poet's life is simple-minded,

How sweet is love's kiss;

Eyes like the sky are blue,

Smile, flaxen curls,

It's all about Olga...

But any novel

Take it and you will find it, right,

Her portrait: he is very nice;

I used to love him myself,

But he bored me immensely.

“Olga didn’t cry for long” after Lensky’s death. The author condemns this inconstancy of Olga:

Alas! Young bride

Unfaithful to her sadness.

Another caught her attention...

Ulan knew how to captivate her.

Female images play a large role in the novel. They help to further reveal the images of Onegin and Lensky, the author, who is also a full-fledged hero of the novel. In addition, female images have a completely independent meaning. They complement the “picture of Russian society taken in one of most interesting moments its development."

Tatyana is not the only female character in the novel, but thanks to the strength and depth of her nature, this image comes to the fore in the work and the entire system of female images is built around it. In the contrast and comparison of Tatiana with her mother, sister, Moscow princess Alina and nanny, two main themes and antitheses of the novel are revealed: “National and European”, “City and Country”. To form a character like Tatyana Larina’s, family influence is not enough. To do this, the basis of a person must be distinguished by exceptional, individual qualities. And the author emphasizes this by introducing another female character - Tatyana’s sister Olga.

Always modest, always obedient,

Always cheerful like the morning,

How a poet's life is simple-minded,

How sweet is the kiss of love... –

such is the easy character of sister Tatyana. Olga is natural and “playful,” but in general she is too ordinary and superficial: she favorably accepts Lensky’s advances, but at the same time, without hesitation, flirts with Onegin, which subsequently leads to the death of her fiancé, whom she does not mourn for long:

Another caught her attention

Another managed her suffering

To lull you to sleep with loving flattery,

Ulan knew how to captivate her

Ulan loved her with his soul...

And even when she “loves,” all her love is expressed in a smile. “Encouraged by Olga’s smile,” is the only thing that allows Lensky to feel Olga’s reciprocal love. Her ordinaryness and mediocrity are emphasized by the portrait:

Eyes like the sky blue;

Smile, flaxen curls,

Tatyana tries to talk with the nanny as with the person closest to her about her love, about her feelings, but the nanny simply does not understand her. On the one hand, this is evidence of Tatyana’s excessive passion for romantic dreams. But on the other hand, their dialogue demonstrates the difference between the nobility and the peasantry in general.

The comparison of female images plays a big role not only in outlining the characters, but also in revealing important themes of the novel: “City and Country”, “National and European”. This goal is achieved through obvious and hidden contrasts between characters. This is how Tatyana and Olga are compared. Tatyana is undoubtedly a national heroine. She is “Russian in soul,” according to Pushkin; loves the nature of Russia, its traditions and folklore. Olga has nothing to do with national theme in the novel. At least indirectly, the author emphasizes her “foreignness”: she has a “district young lady’s album” in the French style, her fiancé is a young man divorced from reality who studied in Germany and was considered a “half-Russian neighbor” in the village. She is indifferent to nature, and not a word is said about her attitude to the common people, although obviously she was also raised by a nanny.

The image of Tatyana’s mother also works to reveal the theme “City and Countryside”. In the village of Praskovya, Larina has a family, takes care of the house, and her Moscow cousin Alina, having not changed a bit (when they meet, the latter almost immediately begins to talk about a mutual friend Larina has long forgotten), apparently has no family and, even more so, her business, which clearly does not benefit the city resident.

The same idea is confirmed when comparing Tatiana and Moscow young ladies, Tatiana and St. Petersburg beauties. Tatyana, with her reading of books, love of nature and seriousness of character, seems an order of magnitude higher than the inhabitants of the capital, even such brilliant ones as “Cleopatra of the Neva” Nina Voronskaya. What can we say about Moscow girls who are only busy with

they believe in a chant

Secrets of the heart, secrets of virgins,

Others' and your own victories,

Hopes, pranks, dreams.

But still, it is impossible to categorically judge what is better or worse for Pushkin, since the system of female images is only one of the tools for expressing the author’s thoughts, and “Eugene Onegin” is a multifaceted, complex and ambiguous work.

In the novel “Eugene Onegin,” Pushkin placed a strong female image at the center, focusing on him the solution of the main moral and philosophical problems, and endowed his heroine with national, Russian traits. The poet's innovation had a huge impact on the literature of the entire 19th century and laid the foundation for the tradition of realism in Russia, determined the features of the creation of female images and their specific role in the works of subsequent Russian writers. And of course, one can only agree with the words of Belinsky, who said: “Almost the entire feat of the poet is that he was the first to poetically reproduce a Russian woman in the person of Tatyana.”

Nanny and family of Tatyana Larina. Quote characteristic
a brief description of
Tatyana Larina's family plays an important role in the novel "Eugene Onegin" by Pushkin.
Evgeny Onegin comes to his uncle's village. Here Onegin meets his neighbors on the estate - Vladimir Lensky and the Larin family.
Members of Tatyana Larina's family are the following heroes: late father Dmitry Larin, mother Polina (Praskovya) Larina, sister Olga Larina, nanny Filipevna.
Tatyana Larina's father is Dmitry Larin. Tatyana's father probably died several years ago (before the Larins met Onegin). It is known that Mr. Larin died as an elderly man: “...And so they both grew old. / And finally the doors of the coffin opened / Before the husband...”
Dmitry Larin was a kind man and a good master for his serfs: “...Her father was a kind fellow, / Belated in the last century...” “... He was a simple and kind master... A humble sinner, Dmitry Larin. .."
According to the author, Dmitry Larin was a reasonable person: “...The reasonable husband left soon / To his village...”
Mr. Larin was once a brigadier (military rank 5th class): "...The Lord's servant and foreman..."
Dmitry Larin loved his wife very much and believed her in everything: “...But her husband loved her heartily, / He didn’t get involved in her plans, / He believed her in everything carelessly...”
Tatyana Larina's mother is Polina (Praskovya) Larina. Her name is Pachette (Pashenka), that is, Polina, or Praskovya: “...“Princess, mon ange!” - “Pachette!” - “-Alina”!..."
In her youth, Tatyana's mother was in love with a sergeant. But she was married off to Dmitry Larin, Tatyana’s future father: “...But, without asking her advice, / The girl was taken to the crown...” At first, Mrs. Larina did not love her husband (Dmitry Larin) and even wanted to divorce him: “...I was torn and cried at first, / I almost divorced my husband...” However, over time, their life improved.
Mrs. Larina learned to manage her kind husband and lived happily: “...I discovered the secret of how to rule a husband / Autocratically, / And then everything went well...”
Onegin meets the Larins when Tatyana’s mother is no longer a young woman, an “old woman”: “...Larina is simple, / But a very sweet old lady...”
Tatiana Larina's sister is Olga Larina. Unlike Tatyana, Olga is always cheerful: "...Always as cheerful as the morning..."
Tatyana Larina's nanny is Filipevna. This old peasant woman: “... Filipyevna is already grey-haired / Brings tea on a tray...” “... With a grey-haired scarf on her head, / An old woman in a long padded jacket...”
Nanny Filipyevna got married when she was just a girl - at the age of 13 (she tells Tanya about this in one of her conversations): “...My Vanya / Was younger than me, my light, / And I was thirteen years old...” She didn’t get married out of love, like many peasant women who were forced into marriage: “...In these summers / We have not heard about love...”
Princess Alina and Moscow relatives. Princess Alina is a cousin ( cousin) old lady Larina, that is, Tatyana Larina’s cousin. It is with this aunt that Larina stays in Moscow when they come to the “bride fair”: “... To the old aunt, / The patient has been suffering from consumption for four years, / They have arrived now...”
Arriving in Moscow. Tatyana and her mother visit their many Moscow relatives. Relatives remember Tatyana as a child: “...And to family dinners / They take Tanya every day / Introduce her to her grandparents...” “... To relatives who arrived from afar, / Everywhere there is an affectionate meeting...” (about Tatyana and her mother)
Vladimir Lensky. Vladimir Lensky can be considered one of the members of the Larin family. Vladimir has known the Larins since childhood. As a child, he played with little Olga and sat on the lap of the Larins' father: "...He held me in his arms. How often in childhood I played / with His Ochakov medal!..." (about the Larins' father)

She is in her own family
The girl seemed like a stranger.
She used to judge people and life by the novels she read:
She liked novels early on;
They replaced everything for her.
In them she looked for correspondence to her experiences and therefore:
She fell in love with deceptions
Both Richardson and Russo.
Tatyana thus created in her imagination the image of a lover, unlike others, mysterious. This is exactly how Onegin appeared in her eyes.
Tatyana is close to Russian nature:
She loved on the balcony
Warn the dawn,
When on a pale sky
The round dance of the stars disappears.

The attitude towards nature helps to further reveal the character of the heroine. She is naturally gifted:
With a rebellious imagination,
Alive in mind and will,
And wayward head,
And with a fiery and tender heart.

Now I'm glad to give
All this rags of a masquerade,
All this shine, and noise, and fumes
For a shelf of books, for a wild garden,
For our poor home.

Tatyana's spiritual qualities are revealed even deeper in the scene of her last meeting with Onegin: loyalty to duty prevails over her feelings:

I got married. You must,
I ask you to leave me;
I know: in your heart there is
And pride, and direct honor.
I love you (why lie?),
But I was given to another;
I will be faithful to him forever.

Shaved foreheads
I went to the bathhouse on Saturdays,
She beat the maids in anger -
All this without asking my husband.

But at the same time, she is the keeper of the “habits of dear old times”, so dear to the author:
At their Shrovetide
There were Russian pancakes;
They fasted twice a year.

Also, with a certain amount of irony, the image of Olga is drawn. Pushkin draws a portrait of a beauty:
Always cheerful like the morning,
How a poet's life is simple-minded,
How sweet is love's kiss;
Eyes like the sky are blue,
Smile, flaxen curls,
Movements, voice, light frame,
It's all about Olga...

But at the same time, the author emphasizes the typicality of her image and expresses her attitude towards it this way:
...but any novel
Take it and you will find it, right,
Her portrait: he is very nice;
I used to love him myself,
But he bored me immensely.

“Olga didn’t cry for long” after Lensky’s death. The author condemns this inconstancy of Olga:

Alas! Young bride
Unfaithful to her sadness.
Another caught her attention...
Ulan knew how to captivate her.

The novel also contains images of other representatives of the fair sex: daughters of provincial landowners, who were “pretended to be a half-Russian neighbor.” The Moscow “bride fair” is also depicted satirically. Particularly noteworthy is the image of nanny Filipyevna, who played a big role in shaping Tatiana’s spiritual world.
Female images play a large role in the novel. They help to further reveal the images of Onegin and Lensky, the author, who is also a full-fledged hero of the novel. In addition, female images have a completely independent meaning. They complement “the picture of Russian society taken at one of the most interesting moments in its development.”

Always modest, always obedient,
Always cheerful like the morning,
How a poet's life is simple-minded,
How sweet is the kiss of love... –

Another caught her attention
Another managed her suffering
To lull you to sleep with loving flattery,
Ulan knew how to captivate her
Ulan loved her with his soul...

Eyes like the sky blue;
Smile, flaxen curls,
Movements, voice, light stance...

Tatyana is completely opposed to Olga; by comparing the two sisters in the novel, the poet emphasizes the depth of Tatyana’s character, her originality and seriousness. A comparison of her with the nanny and an analysis of their relationship shows their spiritual closeness, the closeness of a noblewoman and a peasant woman, but at the same time indicates their differences.
Tatyana tries to talk with the nanny as with the person closest to her about her love, about her feelings, but the nanny simply does not understand her. On the one hand, this is evidence of Tatyana’s excessive passion for romantic dreams. But on the other hand, their dialogue demonstrates the difference between the nobility and the peasantry in general.

As researcher Yu.M. showed. Lotman, in his comments to the novel, Tatyana and the nanny put fundamentally different meanings into the word “love”: for Tatyana it is a high romantic feeling, but for a simple peasant woman it is sinful love for a man.
The comparison of female images plays a big role not only in outlining the characters, but also in revealing important themes of the novel: “City and Country”, “National and European”. This goal is achieved through obvious and hidden contrasts between characters. This is how Tatyana and Olga are compared. Tatyana is undoubtedly a national heroine. She is “Russian in soul,” according to Pushkin; loves the nature of Russia, its traditions and folklore. Olga has nothing to do with the national theme in the novel. At least indirectly, the author emphasizes her “foreignness”: she has a “district young lady’s album” in the French style, her fiancé is a young man divorced from reality who studied in Germany and was considered a “half-Russian neighbor” in the village. She is indifferent to nature, and not a word is said about her attitude to the common people, although obviously she was also raised by a nanny.

The mother of the Larin sisters is also contrasted with herself, only with the young Moscow young lady, and clearly not in favor of the latter. The author's position on the question of what is better: national or European can be judged by the poet's assessment of individual characters. Tatiana is his “sweet ideal,” and her mother is much happier being a Russian landowner than if she had remained in the village as a “Moscow young lady.”
The image of Tatyana’s mother also works to reveal the theme “City and Countryside”. In the village of Praskovya, Larina has a family, takes care of the house, and her Moscow cousin Alina, having not changed a bit (when they meet, the latter almost immediately begins to talk about a mutual friend Larina has long forgotten), apparently has no family and, even more so, her business, which clearly does not benefit the city resident.

they believe in a chant
Secrets of the heart, secrets of virgins,
Others' and your own victories,
Hopes, pranks, dreams.

"is an "encyclopedia of Russian life" of Pushkin's time. For the first time in Russian literature, an entire historical era, the contemporary reality of the poet is shown. The action of the novel develops in the Larin family. The Larin family is a provincial landed nobility. They live the same way as their neighbors. With irony, Pushkin talks about the “peaceful life” of the Larins, faithful to the “habits of dear old times.” Larin himself “was a kind fellow, belated in the last century”; he did not read books, entrusted the housekeeping to his wife, “while he ate and drank in his dressing gown” and “died an hour before dinner.”

Pushkin tells us about the development of the characters of three representatives of the Larin family: mother and daughters - Olga and Tatyana. In her youth, Larina, like her daughter Tatyana, was fond of the novels of Richardson and Rousseau. These novels were opened before Tatyana amazing world with extraordinary heroes doing decisive things. Following the example of Julia, the heroine of Rousseau’s novel “The New Heloise,” in love. Novels developed her independent character and imagination. They helped her understand the vulgar noble world of the Pustyakovs and Buyanovs.

Her mother, reading the same novels in her youth, paid tribute to fashion, shown in Fig. Determine the magnetic induction B at point O. Arc radius R = 10 cm.">since the Moscow cousin "often told her about them." They left no trace in her heart. Hence the different behavior in the same life situations. The eldest Larina in in her youth “she sighed about something else,” but she got married at the insistence of her parents, suffered a little, and then, obeying the will of her husband, went to the village, where she took up farming, “got used to it and became happy.” Tatyana wants to love, but to love a person who is close she is in spirit, who will understand her. She dreams of a person who would bring high content into her life, who would be similar to the heroes of her favorite novels. And such a person, it seemed to her, she found in Onegin. She experienced the tragedy of abandonment, "Onegin's confession", but she survived and true love, real feelings that enriched her.

Pushkin, talking about his “dear” Tatyana, constantly emphasizes her closeness to the people. She grew up and was brought up in the village.

Larina's landowners
kept in a peaceful life
Habits of a dear old man...
...Loved the round swing,
There are songs and a round dance.

The atmosphere of Russian customs and folk traditions was fertile soil on which the love of a noble girl for the people grew and strengthened. There is no gap between Tatyana and the people.

She differs sharply in her moral character and spiritual interests from girls of the nobility, like her sister Olga. Tatyana is full of sincerity and purity in her feelings. Mannered affectation and coquetry are alien to Tatyana. But this was in the nature of the young ladies. After all, Tatyana’s mother in the past was fully consistent with the behavior of her peers. Just like them, she peed in blood

...Into the albums of gentle maidens,
Called Polina Praskovya
And she spoke in a sing-song voice.

But time passed, everything superficial fell away, what remained was the landowner who

...started calling
Shark like the old Selina,
And finally updated
There is cotton wool on the robe and cap.

Over the years, she turned into a typical representative of her circle. She has forgotten everything, serfdom reigns in her memory. It is equally customary that she “salted mushrooms for the winter” and “went to the bathhouse on Saturdays,” and that she “shaved her foreheads” and “beat the maids, getting angry.”

Not so Tatyana. Her attitude towards life and its values does not change, but develops. Having become a society lady, a princess, living in luxury, she still loves her world:

Now I'm glad to give it away
All this rags of a masquerade,
All this shine, and noise, and fumes
For a shelf of books, for a wild garden,
For our poor home.

The complete opposite of Tatyana is her younger sister. Olga has a lot of cheerfulness, playfulness, and is in full swing. She always “has a light smile on her lips”; her “ringing voice” can be heard everywhere. But she does not have the originality and depth that Tatyana has. Her spiritual world is poor. “Always modest, always obedient,” she does not think deeply about life, she follows the rules accepted in society. She cannot understand Tatyana, she is not alarmed by Lensky’s behavior and mood before the duel. Olga passes by everything that leaves a deep mark on Tatyana’s character. Tatyana loves “not jokingly”, “seriously”, for life.

There is no joy for her anywhere,
And he finds no relief
She burst into suppressed tears.
And my heart breaks in half.

How different the suffering Tatyana is from the flighty Olga, who, having cried over Lensky, soon became carried away by the uhlan. Soon she got married, “repeating her mother, with minor changes that time required” (V. G. Belinsky).

Tatyana, Pushkin’s favorite heroine, bears the stamp of nationality to the end. Her answer to Onegin at the end of the novel is also in Pushkin’s understanding, a feature of folk morality: you cannot build your happiness on the grief and suffering of another. The novel “Eugene Onegin” was for Pushkin the fruit of “a mind of cold observations and a heart of sorrowful observations.” And if he mockingly tells us about the fate of Olga, who repeated the fate of her mother, then Tatyana, this “Russian soul” girl, whose moral rules are firm and constant, is his “sweet ideal.”

The female name Tatyana is widespread in Russia. It originated in ancient Greece and since then has managed to leave a noticeable mark on history. Tatyana is a strong and talented woman. Her character and personal qualities allow her to be realized in many areas of life.

It is generally accepted that the origin of the name Tatyana is ancient Greek. With the advent of Christianity, it began to be used in Rus' and quickly became popular. But in Western countries the name is not widespread and is considered originally Russian.

It has acquired particular significance for Russian students. In 1755, Empress Elizaveta Petrovna signed a decree on the opening of Moscow University. The event took place on January 25 and coincided with the day of remembrance of the Great Martyr Tatiana.

Since then, this date has been called “Tatyana’s Day” and began to be celebrated first as the opening day of the university, and then as the day of Russian students. Saint Tatiana herself was declared the patroness of students.

Meaning

What does the name Tatyana mean, what is the meaning of the name? According to the first version, it is translated from ancient Greek as “appointed”, “establisher”, “founder” and comes from the word “tatto” - to determine, to establish.

There is another version. According to her, the name comes from the king of the Sabines, Titus Tatia, and its meaning is “lady of the Tatia family.”

Fate

After reading the description of the name Tatyana, you can understand that she is a gifted and purposeful woman. She believes that everyone creates their own destiny and makes every effort to realize themselves in their career and life.

Decisiveness, perseverance, energy and business acumen help Tatyana in professional activity. She can achieve success in journalism, film and television, medicine, administration, teaching and many other professions.

Tanya's health requires close attention. She is prone to respiratory system diseases, excess weight gain, and hormonal disorders. Problems in your personal life can lead to nervous breakdowns and depression.

Character

Tatyana grows up as an active and emotional child, prefers active, “boyish” games, and shows leadership qualities from an early age. He usually studies well, but experiences difficulties due to restlessness.

Tatyana's hobbies change frequently. As a child, she attends many clubs and sections, and as she gets older, she shows interest in traveling.

Tanya also likes to attend entertainment events and make acquaintances, but she has few real friends. She is responsive, but will never sacrifice her interests.

Tanya is temperamental in love, but opens up only with a partner who has managed to win her heart. The most important quality She considers her chosen one to be able to provide for his family.

In marriage, Tatyana strives to lead, which can cause conflicts with her husband. With age, this quality smoothes out. She values family, easily copes with household chores and manages her budget wisely.

She usually has two children. Tatyana becomes a loving, caring mother. She often manages to build trusting, friendly relationships with children.

In general, Tanya is an optimist, which helps her overcome difficulties. She believes in herself, has a cheerful disposition and a good sense of humor. But she, like any person, has negative qualities– self-confidence, pride, frivolity, hot temper.

Name day

When is Tatyana's name day? IN Orthodox calendar, including the days of remembrance of the new martyrs, they fall on the following dates: January 18 and 25, July 17, September 14 and 23, October 3, 11 and 21, December 3 and 23. The first date following the person’s birthday or coinciding with it is chosen as the Angel’s day (name day).

Name color

For Tatyana, the color of the name is red, crimson. People whose names are associated with this shade have a strong character and physical endurance. They are sociable, know how to win over their interlocutor, but are quick-tempered and easily lose their temper.

Nature generously endows people with red names with talents, but they are not always able to realize them. Family life is difficult; remarriages or loneliness in old age are possible. Under unfavorable circumstances, there is an increased risk of becoming addicted to alcohol or drugs.

Name flower

For Tatyana, the flower of her name is clover. It is simple and unpretentious, but charms everyone with its aroma and delicate petals. Like this flower, Tanya does not seek to put herself on display and yet rarely goes unnoticed.

Men pay attention to her, but she takes a long time to choose her one and only, trying to find the ideal. For her, the ability of a gentleman to beautifully look after and surround her with attention is important. Sometimes such pickiness lets Tanya down. She mistakenly chooses a man who is gallant, knows how to impress, but is unreliable, and ends up disappointed.

Church name, calendar

Tatiana will be baptized as Tatiana. This is the church spelling of this name. It is mentioned 10 times in the calendar, the exact dates are indicated above (see Name Day paragraph).

Translation of name in different languages

In the international passport this name will be written as TATIANA. On different languages spelling and pronunciation also differ:

Tatjana (Tatiana) - in German.
Tatyana (Tatiana) - in English.
Tatiana (Tatiana) - in Spanish, Italian, Polish.
タチヤナ (Tatiyana) – in Japanese.
Tetyana (Tetyana) - in Ukrainian.
Tatstsyan - in Belarusian.

Full name, shortened and affectionate

Full name: Tatyana. In short, she can be called Tanya, Tata, Tusya, Tasha. The name has many affectionate forms - Tanyusha, Tanechka, Tatusya, Tanyuta, Tanyura, Tatunya, Tatula, Tatyanka, Tanyukha, Tanchik.

Name compatibility

A bright romance is possible with Gleb, Dmitry, Egor, Nikolai, Boris, Makar, Trofim. IN family life Tatyana’s compatibility is high with a man whose name is Arseny, Arkady, Vadim, Miron, Ilya, Rodion, Eduard, Valery, Ivan, Anatoly, Stepan or Grigory.

But serious relationships with Anton, Albert, Arthur, Kirill, Stanislav, Savely, Georgy and Vladislav are best avoided. Their marriage threatens to end in divorce.

How to incline

Declension of the name by case:

Tatyana – nominative;
Tatiana – genitive;
Tatyana – dative;
Tatyana - accusative;
Tatyana - creative;
Tatyana - prepositional.

Famous people with this name

Among the owners of this name there are many talented, extraordinary women. The most famous of them:

Tatyana Fedorovna Pronchishcheva (1713-1736). The first woman to become polar explorer. She took part in the Great Northern Expedition.
Tatyana Lvovna Shchepkina-Kupernik (1874-1952). Russian writer and translator, Honored Artist of the RSFSR.
Tatyana Alekseevna Mavrina (1902-1996). Artist-painter of the Soviet era, Laureate State Prize THE USSR.
Tatyana Ivanovna Peltzer (1904-1992). Soviet film and theater actress. She is a laureate of the Stalin Prize of the third degree and a People's Artist of the USSR. She is known for the films “Ordinary People”, “Tiger Tamer”, “Two Captains”, “Aniskin and Fantomas”, “12 Chairs” and others.
Tatyana Nilovna Yablonskaya (1917-2005). Soviet and Ukrainian artist. Laureate of the USSR State Prize and two Stalin Prizes of the 2nd degree, Hero of Ukraine.
Tatyana Mikhailovna Lioznova (1924-2011). Russian film director, screenwriter, teacher. Laureate of the State Prize of the RSFSR. She worked on the films “Seventeen Moments of Spring”, “Carnival”, “Three Poplars on Plyushchikha”.
Tatyana Valentinovna Bunina (1930). Soviet volleyball player, forward. World champion (1952) and European champion (1951), master of sports of the USSR.
Tatyana Evgenievna Samoilova (1934). People's Artist Russian Federation, winner of the Jury Prize at the XI Cannes Film Festival. She starred in the films “The Cranes Are Flying”, “An Unsent Letter”, “Anna Karenina”.
Tatyana Anatolyevna Dogileva (1957). Theater and film actress, film director. She starred in more than 100 films. Honored Artist of the RSFSR, People's Artist of the Russian Federation, winner of the Kinotavr Award.
Tatyana Viktorovna Roganova, pseudonym Polyakova (1959). Russian writer in the detective genre. She has published more than 80 books, 9 of them were filmed.
Tatyana Vyacheslavovna Pushkina (1964). Russian TV presenter. Led the program " Women's stories", "Spring cleaning", "Day after day", "Two wives".
Tatyana Vitalievna Kuralesina, pseudonym Ustinova (1968). Prose writer, author of popular detective novels, translator, screenwriter and TV presenter. She published 49 books.
Tatyana Ivanovna Bulanova (1969). Russian pop star, actress and TV presenter. Two-time winner of the Ovation Award, Honored Artist of Russia.
Tatyana Aleksandrovna Navka (1975). Soviet, Russian and Belarusian figure skater. Master of Sports of Russia, three-time champion of Russia and Europe. She took part in the ice shows “Stars on Ice”, “Ice Age”, “Ice and Fire”.
Tatyana Albertovna Arntgolts (1982). Russian actress. She has starred in more than 40 domestic TV series and films.

Tatyana is a name with strong energy. It endows its owner with a complex character and many talents. IN last years it has become less used, replaced by more exotic names, but the situation may change in the future.